David Barro /// Dionisio González and the lost poem

Dionisio González, being restless in his search and intense at the moment of setting out his findings, has been able to form a unique work that supports a solid theoretical research without losing an indisputable plastic effect. Far from what it might seem, in his work there are no great leaps between series, given that from the outset there has been a concern for inhabiting, for extinction, for identity and for how our gaze watches over the world around us. On the other hand, in each work it is possible to notice a new step, an advance that we only discover if we can go beyond the threshold of the first gaze, when this becomes attentive and tense.

Since the end of the nineties Dionisio González has been translating his concerns into photography through a domination of the scene and of the new digital possibilities that the image allows. Dionisio González reinvents situations and landscapes in a critical manner.