Daniel Blaufuks /// SEPTEMBER

437. In the garden.
438. Image and writing. Dislocation and memory. These are the reasons of my work, the bases of my research. This research is poetic.
439. Memory is abstract and geometric.
440. All my exhibitions, my films and my books equate these connections, between the literature of exile and travel photography, personal memory and collective memory, between the memory of the journey and the journey through the memory.
441. The recent exhibition in Madrid studied the memory of painting (and necessarily that of the cinema) present in Photography. Perhaps it would be necessary to understand the parallel book first in order to comprehend the exhibition.
442. Painting always reached me through cinema.
443. Each photograph is a labyrinth. But it is also a story, simultaneously an end and a beginning. To understand this, means to go through this labyrinth and, eventually, to get out of it.
444. A video is a photograph with time and movement. Its decoding is similar to that of a photograph. This decoding may be personal and not collective.
445. A photograph does not need to be a document, it may be a song. It doesn’t need to be matter; it may aspire to being organic.