Suso Fandiño /// On the Alien, the Fitting and the Appropriated in Today's Time

Reviewing the complexity of the current moment refers us back to a scenario different to what was previously imaginable for the first decade of the XXI century. The different processes initiated in the last quarter of the last century, among them and in a remarkable manner was the incursion of the alien as a fitting material in appropriationism, generally derived in a generating of different forms of expectation in relation to a situation of fragmented heterogeny. This new space of events has seen the triumph of new systems of mediation among the spectators and the context of art.

The most extensive model did not manage to eliminate the author, although it has sunken him in the blur of the thematic proposals inherited from the dialectic model established by Documentas and Biennials. This model spread in a natural manner to many museums and contemporary art centres keen on being able to generate their own accounts.